Great job Graham! The first column lists each source on separate rows (kick drum, bass guitar, and so on), the next allocates the appropriate mic stand, and the third the microphone or DI box. You can only learn so much by reading and watching YouTube clips. The distance of the mic from the source affects the recording quality and sound character, so don’t be afraid to experiment. That was awesome Graham. More importantly, the point of the video had nothing to do with the song’s lyrics–the sound was great even though you were using such a limited setup. Just a high pass filter and low pass filter. You don't need to rent an expensive studio or hire technicians; with just a computer, a guitar or any other instrument, and a microphone, you can record it at home with decent quality. It was a lot of work, but the feel we captured in those recordings—of live musicians playing in a relaxed, familiar environment—was unmistakably amazing. Thanks so much for this video! And the final product: The type of microphone that will generally sound good on any violin, viola, or cello in a home or studio recording is a condenser microphone. We had a lot of fun messing with it, and I’ll bet you will to. Graham uses the over-the-shoulder technique with the mic just over the drummer's right shoulder (for a right-handed drummer). We documented their microphone collection, selection process, and placement techniques for this 4-piece group comprised of … The Cowboy Junkies set up in a church. WOW! Especially the ones you mention. Thanks for the video! Recording vo… I’m a big fan of limitations, because you have to really focus on the music and not what you technically can do. this is a killer Recording session! For one thing, band members have to gracefully move in and out of the mic pattern without hitting their band mates in the head with the neck of their instruments. Thanks again nothing but the best, Awesome. Can you help? One simple interface??? I am new to recording! Also…this is a great tutorial in how to fundamentally stick to the project tempo which in turn helps keep everything nice and tight. Graham you’re great! A good place to start would be the Neumann TLM 103, a fixed pattern cardioid beauty, with a capsule design based on the brand’s best-known mic – the U 87. Does plugging in my guitar through an amp sim mean that I would be playing through something similar to Eleven Rack (which I don’t have the lol. I have been doing a lot of mono recordings lately, but with singer/songwriters, with just one instrument. If your band uses large amplifiers and your drummer beats the kit to death, one microphone on the entire band might not be enough to achiev… Really fantastic and very encouraging. Excellent video and once again your explanation, plus sub-titles packs alot of info into 6.5 minutes. It shows what the producer has to do in order to record a rock band in a studio with one mic. a larger diaphragm microphone like a PL20. News Editor David Greeves replies: The traditional way of recording a bluegrass group, and, if you go back far enough, just about any kind of group, is to use one microphone. Great job !!! I always complain about my recordings and I’m always tempted to buy better stuff but that won’t help. On March 20th, 2016 John entered 25th Street Recording in Oakland, CA and did something he had never done before. We put the mic about 30cm in front of the kit, about 1m above the ground, pointed down about 45° towards the kick drum. Been at this for over 30 years and still having fun! I love mono drums. Dude, I have the same ART preamp. I’ve been busy with school and have been catching up with some of your posts I’ve missed over the last while. Hi Graham, Recording Vocals Now it was time to record vocals. At some point, you actually have to go out and do this stuff. Thanks again Graham for a cool and inspiring video! Keep it up! Regardless of the style of microphone you use — or the type of instrument you record — you can use one or more of the following mic-placement techniques to capture the sound you want: Spot (or close) miking: Spot miking (also called close miking) involves placing your microphone within a couple feet of the sound source. Graham, Between you and Joe Gilder I am hitting the reset button on my approach to studio recording. Different instrumentation – but definitely that retro vibe. Excellent recording! Not all pretty and shiny but gouged and carved on and beat up really bad gear. You’re looking for clarity, even for the instruments that are farther from the mic capsule, and an ability to absorb nearer sounds (like lead vocals) without distorting. Keep those kick in the pants coming….love a good challenge! It’s so easy to get drowned in the world of gear, plugins, effects, and automation, that we forget how the industry got started! In the Smart Controls menu, select Input and choose Aggregate Device from the list if it isn’t already selected. I got stuff done because I wasn’t letting myself get bogged down with the details of recording, I was focused on writing music. The fourth column lists … 877092 58419[…]the time to read or visit the content or sites we have linked to below the[…] 283030, Your email address will not be published. Keep up the great work! As we only had one compressor available (which we didn’t know how to use) this had to happen during tracking. A Stereo Microphone which typically uses 2 mikes in each capsule which will record in stereo either mono sound or in another frequency, time, or distance. That was awesome. Does this equipment have the capability of making some killer professional recordings giving that I learn what I’m doing with it? Blue Microphone’s “Pro Drum Kit Kit” is a three-piece suit, tailored with two cardioid-condenser Dragonflys and one large-diaphragm-condenser Mouse to capture phenomenally realistic reproductions of all elements of the kit, from the sparkling highs and warm mids to the thumping lows and sharp attack normally delegated to a kick mike. The Cowboy Junkies did it back in 1987 for their album The Trinity Session, and the results were solid enough that the record earned a four-star review from Rolling Stone, in which Anthony DeCurtis praises the consistent ambience in which “the entire record seems like one continuously unfolding song.”. This means to be effective in different recording sessions you have to have access to a lot of different microphones to avoid a hell of a lot EQ work in the mixing process. Neumann & award-winning filmmaker Geert Verdickt show you how to set up your guitar and make your first recoding. I do love my plugins. Love it. This is a great microphone. The leakage will add a lot to a big sound and when panned correctly, your mono drums will sound very lively and will be spreaded across the stereo field because of the leakage of the other instruments / tracks. Turns out you get more than enough tools to get the job done. I know you’ll be looking for that later. It arrived in my inbox today after subscribing to your site. Can you tell me if there is a tutorial video out there that explains how to clean up my vocals IATA the production stage? Here is what will happen if you attempt to record the entire band live:First, you need sufficient number of microphones and cables. One of these is that (even with the modern pop-style production mentioned above) you lose out on the benefits of the classic approach of first finishing the composition, arrangement and instrumentation of a song, then having a band or artists rehearse the piece, and then recording them playing it together, in one … One large diaphragm condenser mic – MUST BE FIGURE 8. Thanks. Anyone watching this video, particular where there’s the constant struggle to rush phrases: check out how nicely things are executed here. It’s possible that was for a different recording of the song, but that would be my best guess. – other albums on iTunes under Aletheia Tampa. Your email address will not be published. The other mic is 12″–18″ away from the guitar at approximately the level of the player’s chin, pointing down toward the middle of the instrument. There are three main ways to record acoustic guitar: with one mic, two mics, or direct-in. My question is what should I charge for hourly being its a small set up? You lead singer needs to be closest to the microphone, close enough to hear vocal details, but not so close that sound from the instruments is blocked. The answer is no, a microphone will not do it for you. These microphones can be two cardioid condenser microphones and a large diaphragm (LD) type. If you’re recording lead vocals, the most common practice to… Thanks. 9 Things Every Musician Loves to Hear from Fans, Family, and Friends, 8 Great Ideas for Naming Your Album When You're Stumped. One Vocal Mic + Mid-Side Pair on Guitar. How to Record Acoustic Guitar. Recording a Band with One Mic. So I really learned something here about recording and entire drum kit at once with only one mic. That was an awesome recording. Although most producers here use virtual instruments, I am one of the few who loves recording live. How to record an entire band in one room. Pick a space. Thanks for sharing I’ve only been on your site a short few weeks and have learned tons Ty ! Zylia, an industry leader in the field of 3D audio recording and production released today the new version of ZYLIA Studio. It has several advantages explained by Graham here. Fantastic job on your “one mic” recording. Another example for the fact that gear isn’t everything . It’s absolutely critical that everyone in your band finds his or her quiet voice, a process that can be harder than it sounds. From there, navigate back to the GarageBand screen and press the Smart Controls button (or just hit the B key.) Unlimited track count often gives unlimited guitar dubs. The answer is no, a microphone will not do it for you. To achieve this level of result requires an understanding of Sound. It was far from perfect, but it worked great, and no one could tell it was recorded in a crappy room, with budget gear. I just have one (maybe a stupid) question: When you are recording the drums, you and the drummer both have a headphone, do i need a headphone splitter for this? One Microphone Basically – it was old beat up (sometimes hand made) stuff. Yes Jon, you can bounce down in PT Express, so yes you can have even more tracks that way. Thanks! Required fields are marked *. But getting a good recording from a single mic seems like a tall order, and goes against everything we’ve been taught. I have a zoom r16 , a mxl ribbon mic, audacity, blackstar ht 5 mini stack , MacBook, m audio bxa5 monitors, 4 guitars including a ESP mf100 which is my main player, Washburn bass and of course my redicoulous drumset…. Locate the speaker on your amp (if there are two speakers, just choose one) and direct your mic near the middle of the speaker. The most important detail to wrap your head around is how to record the sound of an entire band or group of playing at live volumes. Always learning from him. I was wondering where that phone was . I have a long way to go but the journey is awesome. I’ll go over the different miking techniques below and the best context for each. Is it possible to record entire album and mix it at home. I would start where I had the mic in the video and then try in front of the kit as well. It was a simple arrangement. I second Alex, a mixing tutorial and dry tracks would be great. Oh hey Graham, you forgot your phone on the couch! More than that and people start to get bored with the material. Remember that labels don't expect a demo to be perfect. Reminds me of the song that I just recorded weeks ago. What stinks is I am confident in my gear: Pro Tools Le.8, decent laptop, mic stand, acoustic guitar, electric guitar, MIDI Keyboard, and a CAD d19 Snare mic. Twelve seems plenty to me for my simple stuff, but was curious whether bouncing would be useful when 12 was not enough. Hi Graham, We’ve been at this for a while and have spent countless nights in the studio. I’m going to watch this inspirational video one more time! In the end, it’s clear that both of these mics are extremely versatile—the Neumann TLM 103 was capable of recording the entire band and the AKG C 451 EB struggled only with the kick drum. Avoid rooms with a lot of glass, and keep your single mic far away from any large windows. High five the drummer too!!! 1. LOve that the drummer’s name is “Speedy”. Graham, I was so pleased to watch and listen such a great work! Im gonna try it some time this month! Well done. What headphones did you use for tracking and mixing? Graham…that is just sick!!! They are the secret to our critically acclaimed double bass sound. I used a Focusrite 2i2 ($150) and a Behringer B-2 Pro ($150) myself to record my first full-fledged album this year. Thanks! Hope you and the family are well! We actually tried an SM57 just for fun (instead of the Behringer) and it had a nice punchy sound to it. Mics used: One small diaphragm condenser mic – either cardioid OR omnidirectional. I think it would be cool to take this experiment a step further Graham, and maybe try this with your most expensive LDC mic just to compare! I really enjoy reading and watching your posts and videos. You bet your bottom dollar you can track a full band with that! This one mic challenge is AWESOME!! For the style it’s just perfect. Hi Graham, exactly what I wanted, ‘cuz of the limited gear I have… Question… If I could record TWO mics for the drums, where would you recommend me to set the other? Using a large room is preferred for this sort of project, like a... 3. I think the greatest things in life stem from simplicity and you have proved that here. Simply enter your email below and we'll send it right away: Click to share on Twitter (Opens in new window), Click to share on Facebook (Opens in new window), Click to share on Google+ (Opens in new window). With one mic you are forced to really LISTEN, no extra back up track(s) to rely on in mixdown. Awesome Sound Graham! Chop off the high end and low end. My biggest recording concern is with my drummer. Kudos. Is that how you would normally start from scratch? Do you need two microphones to record in stereo? Nice! The mid-side pair on the guitar gives you more control over the stereo image in the mix, and the single vocal mic gives you a focused vocal track that you can pan right down the middle of the mix. At least we have not yet heard a one microphone recording of a whole band, that we found completely satisfying. I also make music for the Lord and I want you to know that you are inspiring me to keep on learning and practicing my skills so that I can concentrate on the MUSIC. If you go zero-for-three on one of your songs, you can always track it a couple more times. It wasn’t ideal but it got the job done. Do you need two microphones to record in stereo? (Is the only extr mic Ive got) Thanks . Pulling off this mix with as little gear as you did shows your skill and creativity – and gives the rest of us a kick in the pants (and a lack of excuses). This is just awesome!!!!! Positioning: The figure 8 mic is placed sideways at a 90 degree angle from the instrument. !’ It can definitely be a helpful limiting tool. . Would this also mean that both me and my guitarist would have to be listening in through two sets of headphones? Hi Nick. Awesome video and the song. You can use. A Stereo Microphone which typically uses 2 mikes in each capsule which will record in stereo either mono sound or in another frequency, time, or distance. After a few years and 100 songs made using multi-track recording I am tired of that practice for the moment. Don’t add any more sonic artifacts than you have to. The toms sound fantastic in that mic and the cymbals were a bit more subdued, which we liked. Good stuff. Be careful with your settings – check your levels and distortion. The first four apply to the recording floor, and the last three to the control room. Really helpful and timely too. Designed by Elegant Themes | Powered by WordPress. It doesn’t matter where you go, but the room needs to sound good and be devoid of large outside noises like creaking radiators or someone mowing the lawn right outside the window. Del McCoury and his sons have the best technique using one mic or two mics. After all, the instruments need to be quiet enough that the players can hear your lead vocalist, and there needs to be a little headroom so you can all get a little louder on certain passages. I never try to record a drum because my friends were saying that it was complicated, you’ve got to check out the phase and bla bla bla. I also used an M-Audio Fast Track C400 on a Pro Tools SE. You are incredible guy! Recording bands with a single microphone used to be quite common. Different styles within music craves a specific sounding. Great on vocals and parallel compression for the drums. My new mantra has been “remember the art preamp”. In the end, it’s clear that both of these mics are extremely versatile—the Neumann TLM 103 was capable of recording the entire band and the AKG C 451 EB struggled only with the kick drum. Recently I decided to track an entire band production using only one microphone and a low cost audio interface. Yes I know a 441 sounds cool on guitars but I don’t think it’s worth the money for hobbyists like myself Thought this was an interesting video. This video is a kind of Galilean approach to your 1# rule!! With vocals, you might find that a £200 mic suits the voice your recording better than a £3,000 one, so try not to get too carried away with expensive gear. I started with a scratch guitar track, and click track. Years ago we had a small 4 track machine and we’d record stereo drums and a bass track, bounce them over to track 4 then record guitars and bounce them to track 3, then finish up with vocals. 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