A whole step/half step diminished scale applies to diminished chords. Unlike most scales which generally contain seven notes, the half/whole diminished scale is an eight note scale. FREE RESOURCES FOR SEVEN STRING GUITAR- Everything, FREE RESOURCES FOR EIGHT STRING GUITAR- Everything, THREE NOTE PER STRING MINOR BLUES SCALES. I don’t always think about the scale starting on the root note. While, the Whole-Half Diminished Scale is used over a diminished chord. Each scale connotes something different. In the key of C, the half-diminished scale built on D is associated with Dm7♭5, which functions as a iiø7 chord in minor (see chord-scale system). A summary, THREE OCTAVE THREE NOTE PER STRING MINOR BLUES SCALES. It contains the intervals 1,b2,b3,3,#4,5,6,b7. Home > Symmetric Scales > Half-Whole Diminished Scale > D HW dim scale all-piano-scales.com en Français. * The second example to the right identifies the dominant chords most … The diminished scale, also known as the whole half scale, is an eight note scale with a numeric formula of 1-2-♭ 3-4-♭ 5-♯ 5-6-7-8/1. In a strict definition of a diminished scale, it always starts with a whole step when ascending the scale. As you can see, the formula for the scale is W-H-W-H-W-H-W. Notice that since this scale is symmetrical, and it is the same every minor third. The whole-half diminished scale is commonly used in conjunction with diminished harmony (e.g., the E dim7 chord) while the half-whole scale is used in dominant harmony (e.g., with an F ♭9 chord). Show me chords that sound good with a D Diminished Whole Half scale. In a strict definition of a diminished scale, it always starts with a whole step when ascending the scale. The D half-step/whole-step diminished scale would be used with D7alt, F7alt, Ab7alt and B7alt chords. There are two diminished scales called the half-whole and whole-half. If you made any changes to your settings. It is a symmetrical scale in that it follows a distinct pattern of steps, those being whole step, half step in a repeating pattern, not to be confused with the dominant diminished scale which follows a half step, whole step pattern. the half-whole diminished scales are often referred to as dominant diminished scales, because their application is generally for use with dominant chords. As you may have guessed from their names, the formula for the half-whole diminished scale is up a half step or semi-tone, then up a whole step or tone. YOU'RE AWESOME! Before print or download please save it first. As the name implies, the scale is constructed of alternating whole and half steps and sounds very sophisticated and colorful. This is because the pattern to build the dominant diminished scale is a complete sequence of half and whole steps. In the case of this scale, a 1/2 step interval followed by a whole step interval. Whole-Half Diminished Scale. The Diminished Scale is also referred to as the Whole-half Diminished Scale since it is constructed by every second whole and half steps (notice also that it is a symmetrical scale). Examine the scale and the intervals within it below: Basically there are two scales that are used for improvising over and harmonizing altered dominant chords. The half-whole diminished scale is sometimes referred to as the “auxiliary diminished scale” (again, note the inherent contradiction because some people use the same term for the opposite scale!) Write a comment. It could remind you of something you’v… AWESOME CONTENT! The half/whole diminished scale. Hope you enjoy! It's played over altered dominant chords and has tensions b9, #9 & #11. The half-whole diminished scale is an 8 note symmetrical scale. The dominant diminished scale is also known as the half whole dominant scale. the “auxiliary diminished dominant” or even the “auxiliary diminished blues” (not to be confused with the Mixo-Dorian blues scale for soloing over the blues). It is the sixth mode of the ascending form of the melodic minor scale (or jazz scale). However, it is difficult to remember the appropriate applications for the scale. Firstly, we are going to learn each scale on one string, so that you can clearly see the pattern. It's known as a Half Whole when played over Dominant chords. Which one to use really depends on what's appropriate for the tune, and what sounds you personally enjoy the most. Dominant Diminished Scale (Half/Whole) The following diagram shows a common fingering for the C […] Symmetrical Diminished Scale. Half diminished scale From Wikipedia, the free encyclopedia The half diminished scale is a seven-note musical scale. Half/Whole Diminished Scale Starting on Bb. The H/W Diminished Scale and/or associated chord can be substituted in place of a V7 chord. When you know what KEY is being played, knowing the intervals permits one to transpose the specific note(s) to the correct location on ANY string... CLICK HERE FOR A FULL LIST OF ALL THE FREE GUITAR RESOURCES ON MY BLOG! Some also refer to this as the double diminished scale because it can be conceptualized as alternating between two diminished arpeggios (C, Eb, F#, A and C#, E, G, Bb). Home > Symmetric Scales > Whole-Half Diminished Scale. If you look at the scale, every other note is a part of the chord. Mathematically, there must be a finite number of scales, but scales seem pretty infinite to me. As the name implies, the scale is constructed of alternating whole and half steps and sounds very sophisticated and colorful. Diminished Scale (Half Whole) Diminished scales can be a lot of fun but these are one of those ones you really should know WHY you are learning it before you do - or you might find yourself wasting a whole lot of time learning something you don't need! The scale is sometimes called whole-half scale, or octatonic scale. The underlined notes are the chord tones of the scale and the additional notes are almost like passing notes. There are scales that I’ll never play and scales that I’ll probably never even hear. Home > Symmetric Scales > Half-Whole Diminished Scale > D HW dim scale. Where as DIMINISHED (whole/half) start with a whole step gap, this variation obviously start with a half step gap. This is unique to each person. It must not be confused with the Diminished Whole Tone Scale, see the Dominant Diminished Scale. The half-step and whole-step intervals are identified in the first example shown to the right. Unlike most scales which generally contain seven notes, the half/whole diminished scale is an eight note scale. In the video I’ve used the example of a Bb7 chord. This means that the scales are constructed using a repeated pattern of half and whole steps. Write a comment. If you keep going up, you will play eight different notes before you reach the octave. In summary, the whole tone, half-whole diminished and altered scales are simply some different options you have available to you when you're soloing over an V7 chord. If you visualize it running up a single string you can see that it is made of alternating 1 and 2 fret gaps. Because of its interval construction, this scale is also referred to as the half-whole diminished scale. There are, however, multiple applications for these scales. The so-called "half-whole" diminished is not a "real" scale – it's just a way to quickly teach and visualize the specific diminished scale that gets applied to a dominant 7 b9 natural 13 chord. Now, the primary use of the diminished scale, is on dominant chords with possible extensions G Whole Tone Scale Fingerings. The diminished scale can be created by stacking two diminished 7th chords a half-step apart on top of one another: Notice that the scale has eight unique notes, thus the name octatonic (which literally means eight tones). The term “half-whole scale” refers to the fact that the scale is built by alternating half-steps and whole-steps. Dominant Diminished Scale (Half/Whole) The following diagram shows a common fingering for the C […] Start by learning the intervals fo… Like its brother, the fully diminished scale, the dominant diminished scale is octatonic in nature, and exists only in a few forms. The half-whole diminished scale is an 8 note symmetrical scale. Symmetrical Diminished Scale. The Diminished Whole Half scale is also known by the following names: Whole Half. The so-called "half-whole" diminished is not a "real" scale – it's just a way to quickly teach and visualize the specific diminished scale that gets applied to a dominant 7 b9 natural 13 chord. Home > Symmetric Scales > Whole-Half Diminished Scale all-piano-scales.com en Français. Here is a diminished scale starting on a Bb and beginning with a half tone. However, it is difficult to remember the appropriate applications for the scale. In other words, learn the scale construction first before getting bogged down with fingerings. Whole-Half Diminished Scale Diminished Scale Diminished Whole-Half … How to practise a diminished scale. The term “half-whole scale” refers to the fact that the scale is built by alternating half-steps and whole-steps. Because of that it is also commonly referred to as the whole-half diminished scale. E Whole/Half Diminished for piano. The Locrian ♮2 scale is commonly used in jazz and some rock. Where as DIMINISHED (whole/half) start with a whole step gap, this variation obviously start with a half step gap. The diminished scale can be created by stacking two diminished 7th chords a half-step apart on top of one another: Notice that the scale has eight unique notes, thus the name octatonic (which literally means eight tones). Diminished Half Whole: Essential Info. When you hear a certain scale, you probably associate it with something. THE ROOT NOTE IN RED AS OPPOSED TO NUMBERS ALLOWS US TO TRANSPOSE ANYWHERE. It is more commonly known as the Locrian ♮2 scale, a name that avoids confusion with the diminished scale and the half-diminished seventh chord (minor seventh, diminished fifth). Diminished Half Whole: Essential Info The Diminished Scale is a symmetrical scale and alternates between a semitone and a tone. In this lesson we'll take a look at the Half Whole scale, how to play it, where to use it and stuff like that. KEEP IT METAL! Rank Root Scale Notes Intervals More Info; 1 : A : Half Diminished Scale : A,B,C,D,Eb,F,G … D Half-Whole Diminished Scale. The diminished scale is an eight-note scale that is built by picking a tonic note, and then alternating whole steps and half steps from that starting note. Whole step/half step diminished scales are the same configuration of notes except that you start the scale with a whole step rather than a half step. THE DIMINISHED SCALE (Half/Whole) is the only mode of the DIMINISHED SCALE. Examine the scale and the intervals within it below: Basically there are two scales that are used for improvising over and harmonizing altered dominant chords. If you're looking for some real life examples of the whole tone scale in use, I recommend checking out this video of Thelonious Monk, who often uses it in stride piano-style descending runs. Those are the three whole-half diminished scales. highest pitch string at the top (unless you've tuned your instrument differently.) The half/whole diminished scale is what we call a symmetrical scale, meaning it is based on a repeating pattern of specific intervals. The symmetrical diminished scale, also known as the half-whole or whole-half scale, is easy to learn. D Half-Whole Diminished Scale. a symmetrical scale and alternates between a tone and a semitone. Whole-half is a useful name as it spells out the construction of intervals; start from any root note and go up a whole tone, then a semitone, then a whole tone and a semitone. That is the beauty of being able to READ music. Learn about the Whole Half Diminished Scale on Guitar FREE eGuide! It’s an eight note or octatonic scale that alternates between half-steps and whole-steps. It is commonly practiced by such neoclassical metal guitarists Michael Romeo, and such jazz pianists as Oscar Peterson and Jonah Cristall-Clarke. The dominant diminished scale is a symmetrical scale: there is a symmetry to the interval construction of the scale (alternating half steps and whole steps). THE DIMINISHED SCALE (Half/Whole) is the only mode of the DIMINISHED SCALE. Even more so if you take into account cultures that use quarter-tones. The “whole/half diminished scale” works over a fully diminished seventh chord. First off, let me start by saying that the Whole-Half and Half-Whole are not different entities, they only reflect the way you choose to see it, in theory. If you visualize it running up a single string you can see that it is made of alternating 1 and 2 fret gaps. The half diminished scale is a seven-note musical scale. Half-Whole Diminished Scale (Starts at 4:12) Next up, we've got the half-whole diminished scale (or H/W diminished for short)! The chord from the C H/W Diminished Scale is a C7♭9 (C E G B♭ D♭); The chord from the D♭W/H Diminished Scale is a D♭dim7 (D♭ E G B♭) D♭dim7 = Rootless C7♭9. [citation needed], https://en.wikipedia.org/w/index.php?title=Half_diminished_scale&oldid=936350678, Articles with unsourced statements from July 2009, Creative Commons Attribution-ShareAlike License, This page was last edited on 18 January 2020, at 07:40. The scales and patterns shown in this lesson are based on the half-whole versions of the diminished scales. It contains the intervals 1,b2,b3,3,#4,5,6,b7. Unlike other scales which contain seven notes, these scales contain eight notes. It's played over altered dominant chords and has tensions b9, #9 & #11. Home > Symmetric Scales > Half-Whole Diminished Scale > D HW dim scale all-piano-scales.com en Français. The notes in-between act as leading tones to the chord tones. The “half/whole diminished scale” works over a dominant seventh with a flat nine and/or sharp nine chord. Home > Symmetric Scales > Half-Whole Diminished Scale > D HW dim scale. 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